Arri Alexa35 Camera Kit

ALEXA 35 is a 4K Super 35 camera that elevates digital cinematography to unprecedented heights. ARRI’s first new sensor for 12 years builds on the evolution of the ALEXA family over that period, delivering 2.5 stops more dynamic range, film-like highlight handling, better low light performance, and richer colors. The new REVEAL Color Science takes full advantage of the sensor’s image quality and provides a fast, simple workflow, while ARRI Textures enhance in-camera creative control. Easy operation, robust build quality, new electronic accessories, and a complete new mechanical support system round out the ALEXA 35 platform.

ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Filmmakers gain 1.5 stops in the highlights and a stop in the shadows over previous ALEXA cameras, while retaining the naturalistic, film-like highlight roll-off. Sophisticated stray-light suppression ensures that the full character and contrast range of each lens is captured. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best possible source for HDR (High Dynamic Range) projects.

Sensor Type Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern colour filter array
Sensor Photosites and Size 4608 x 3164 / Ø 33.96 mm / 1.337″
Sensor Frame Rates 0.75 – 120 fps
Project Frame Rates 23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps
Weight 2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))
Photosite Pitch 6.075 μm
Active Image Area (Dimensions):
4.6K 3:2 Open Gate 28.00 x 19.20 mm / 1.102 x 0.756″
4.6K 16:9 28.00 x 15.70 mm / 1.102 x 0.618″
4K 16:9 24.90 x 14.00 mm / 0.980 x 0.551″
4K 2:1 24.90 x 12.40 mm / 0.980 x 0.490″
3.3K 6:5 20.22 x 16.95 mm / 0.796 x 0.693″
3K 1:1 18.70 x 18.70 mm / 0.737 x 0.737
2.7K 8:9 16.70 x 18.70 mm / 0.656 x 0.738″
2K 16:9 S16 12.40 x 7.00 mm / 0.490 x 0.276″
Image Circle:
4.6K 3:2 Open Gate 33.96 mm / 1.337″
4.6K 16:9 32.10 mm / 1.264″
4K 16:9 28.57 mm / 1.125″
4K 2:1 27.82 mm / 1.095″
3.3K 6:5 26.38 mm / 1.039″
3K 1:1 26.45 mm / 1.041″
2.7K 8:9 25.09 mm / 0.988″
2K 16:9 S16 14.24 mm / 0.561″
Active Image Area (Photosites):
4.6K 3:2 Open Gate 4608 x 3164
4.6K 16:9 4608 x 2592
4K 16:9 4096 x 2304
4K 2:1 4096 x 2048
3.3K 6:5 3328 x 2790
3K 1:1 3072 x 3072
2.7K 8:9 2743 x 3086
2K 16:9 S16 2048 x 1152
Recording Resolution (Pixel) – Max fps* (1TB / 2TB Drive):
4.6K 3:2 Open Gate 4.6K (4608 x 3164) – 35 / 75 fps (ARRIRAW), 60 / 60 fps (Apple ProRes)
4.6K 16:9 4.6K (4608 x 2592) – 45 / 75 fps (ARRIRAW)
4K (4096 x 2304) – 75 / 75 fps (Apple ProRes)
4K 16:9 4K (4096 x 2304) – 55 / 120 fps (ARRIRAW), 100 / 100 fps (Apple ProRes)
UHD (3840 x 2160) – 120 / 120 fps (Apple ProRes)
2K (2048 x 1152) – 120 / 120 fps (Apple ProRes)
HD (1920 x 1080) – 120 / 120 fps (Apple ProRes)
4K 2:1 4K (4096 x 2048) – 65 / 120 fps (ARRIRAW), 120 / 120 fps (Apple ProRes)
3.3K 6:5 3.3K (3328 x 2790) – 55 / 100 fps (ARRIRAW), 75 / 75 fps (Apple ProRes)
4K 2.39:1 Ana. 2x (4096 x 1716) – 90 / 90 fps (Apple ProRes)
3K 1:1 3K (3072 x 3072) – 55 / 100 fps (ARRIRAW), 90 / 90 fps (Apple ProRes)
3.8K 2:1 Ana. 2x (3840 x 1920) – 100 / 100 fps (Apple ProRes)
2.7K 8:9 UHD 16:9 Ana. 2x (3840 x 2160) – 100 / 100 fps (Apple ProRes)
2K 16:9 S16 2K (2048 x 1152) – 120 / 120 fps (Apple ProRes)
Exposure Index Adjustable from EI 160 – 6400 in 1/3 stops
Dynamic Range 17 stops (2.5 more than with previous ALEXA cameras)
Shutter Electronic shutter, 5.0°- 356° or 1s – 1/8000s
Recording Codecs MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4444
MXF/Apple ProRes 422 HQ
Recording Media Codex Compact Drive 1TB (CA08-1024), Codex Compact Drive 2TB (CB16-2048)
Recording Modes Standard real-time recording, Pre-recording
Viewfinder Type Multi Viewfinder MVF-2 with OLED viewfinder display (1920 x 1080) and 4″ LCD flip-out monitor (800 x 400)
Viewfinder Diopter Adjustable from -5 to +5 diopters
Colour Output Rec 709, Rec 2020, Rec 2100 PQ, Rec 2100 HLG, LogC4
Look Control ARRI Textures
Custom colour look (through ARRI Look File ALF4 or ARRI Look Library)
White Balance Manual and auto white balance, adjustable from 2000K to 11000K
Colour correction adjustable from -16 to +16 CC
(1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values)
Filters Four position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8
Fixed optical low pass, UV, IR filter
Lens Squeeze Factors 1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00
Exposure and Focus Tools False Colour, Zoom, Aperture and Colour Peaking
Audio Recording 4 channel linear PCM (24 bit, 48 kHz)
Image Outputs 2x VF custom CoaXPress connectors for MVF-2 viewfinder
2x 12G SDI (BNC) 422 1.5G HD, 422 3G HD, 444 3G HD, 422 6G UHD, 422 12G UHD, 444 12G UHD
Interfaces 1x LBUS (LEMO 4-pin) for lens motors, daisy chainable
1x SERIAL (LEMO 4-pin) for distance measuring accessories
1x TC (LEMO 5-pin) for timecode In/Out
1x ETH (LEMO 10-pin) for remote control and service
1x SYNC IN (BNC) for Genlock synchronization
1x RET IN (BNC, switchable on SDI 2)
1x USB-C for user setups, look files etc
1x Rear Interface (18-pin Pogo)
1x Top Interface (5-pin Pogo)
Audio Inputs 1x AUDIO (LEMO 6-pin) for balanced stereo line in
(line input max. level +24 dBu correlating to 0 dBFS)
Two built-in microphones for scratch audio
With Audio Extension Module AEM-1: additional 3x TA3 connectors (MIC/Line, +48 V, AES)
Audio Outputs 1x 3.5 mm stereo headphone connector (on MVF-2)
2x SDI (embedded audio)
Power Inputs 1x PWR (LEMO 8-pin)
1x BAT (camera rear interface / battery adapter)
20.5 – 33.6 V DC
Power Outputs 1x RS (Fischer 3-pin) for 24 V accessory power out, start/stop and shutter pulse
1x 12 V (LEMO 2-pin) for 12 V accessory power out
1x LBUS (LEMO 4-pin) for lens motors & 24 V power out, daisy-chainable
1x AUDIO (LEMO 6-pin) for balanced stereo line in and 12 V accessory power out
1x ETH (LEMO 10-pin) for remote control, service and 24 V accessory power out
With Power Distribution Module PDM-1: additionally 4x 24 V, 2x 12 V and 1x D-Tap
Remote Control Options Camera Companion App
ARRI Electronic Control System (ECS)
Web-based remote control from phones, tablets and laptops via WiFi & Ethernet
Camera Access Protocol (CAP) via WiFi & Ethernet
GPIO interface for integration with custom control interface
Wireless Interfaces Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI ECS lens and camera remote control
Lens Mounts & Adapters ARRI LPL Mount (LBUS)
ARRI PL-to-LPL Adapter
ARRI PL Mount (LBUS)
ARRI PL Mount (Hirose)
ARRI EF Mount (LBUS)
Leitz M Mount for ARRI
Flange Focal Depth LPL Mount: 44 mm , PL mount: 52 mm
Power Consumption ~ 90 W (Camera body and MVF-2)
Measurements (HxWxL) 147 x 152.5 x 203 mm / 5.8 x 6.0 x 8.0″ (camera body with LPL lens mount)
Operating Temperature -20° C to +45° C / -4° F to +113° F @ 0-95% RH
Storage Temperature -30° C to +70° C / -22° F to +158° F
IP Rating IP 51
Sound Level < 20 dB(A) at 30 fps, recording 4K 16:9 – UHD, Apple ProRes 4444 XQ, ≤ +30° ambient temperature
Licenses ALEXA 35 Cine License

-Arri Alexa 35
-Ratworks Alexa 35 Side plate
-Ratworks Cube Bar
-Ratworks Screw in Bars
-Arri Alexa 35 production set (19mm studio)
-Arri Alexa 35 Lightweight expansion set
-Arri Audio extension module AEM 1
-Arri Bridge Plate Adapter BPA6
-Arri Codex Compact Drive set 3x2TB
-Arri Codex Compact Drive Reader