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The DSMC2 GEMINI Camera Kit gives you the core components to produce cinema image quality.
For flexibility in any situation, GEMINI is RED’s highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 GEMINI is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.
With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 GEMINI is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 GEMINI gives you the ultimate control over your footage.
| SENSOR TYPE | GEMINI 15.4 Megapixel Dual Sensitivity CMOS | |||
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| EFFECTIVE PIXELS | 5120 x 3000 | |||
| SENSOR SIZE | 30.72 mm x 18.0 mm (Diagonal: 35.61 mm) | |||
| DYNAMIC RANGE | 16.5+ stops | |||
| MAX DATA RATES | Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) |
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| MAX FRAME RATES 1 | 75 fps at 5K Full Height 1.7:1 (5120 x 3000) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
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| PLAYBACK FRAME RATES (PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions | |||
| REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11 |
3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps 6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps 2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps 8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps 2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps 6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps |
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| REDCODE RAW ACQUISITION FORMATS2 |
5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
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| APPLE PRORES | ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps |
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| AVID CODECS3 | DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps DNxHR HQ and SQ at 2K (2048 × 1080) 8-bit up to 120 fps DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps |
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| CONSTRUCTION | Aluminum Alloy | |||
| WEIGHT | 3.35 lbs (BRAIN with Integrated Media Bay) | |||
| DC IN POWER INPUT | 11.5 V DC to 17 V DC (requires an expander with DC-IN) | |||
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) | |||
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) | |||
| RELATIVE HUMIDITY | 0% to 85% non-condensing | |||
| AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
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| REMOTE CONTROL | Integrated R.C.P. WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
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| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
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| MONITOR OPTIONS | DSMC2® Touch 7.0″ Ultra-Brite LCD (Direct Mount), DSMC2® RED Touch 4.7″ LCD, DSMC2® RED Touch 7.0″ LCD and DSMC2® RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, DSMC2 Touch 7.0″ Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable. |
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| REDCINE-X PRO DELIVERY FORMATS |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
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| VIDEO EDITING SOFTWARE COMPATIBILITY4 |
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro |
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DSMC2 Standard OLPF
RED DSMC2 OLPF Pack
RED DSMC2 EF Mount
RED DSMC2 PL Mount
RED DSMC2 SIDEKICK
RED DSMC2 Base I/O V-lock Expander
RED DSMC2 EVF (OLED) w/mount
RED DSMC2 Touch 4.7″ LCD
RED DSMC2 Touch 7” LCD
Arri Monitor Bracket for DSMC2 (K2.0009582)
RED LCD/EVF Cable Right to Straight (18″)
RED LCD/EVF Cable Right to Right (32″)
Wooden Camera Easy Top for RED DSMC2
Wooden Camera Trigger Handle for RED DSMC2
Arri Cine Plate for RED DSMC2 (K2.0008886)
RED DSMC2 Lemo Adapter A
RED DSMC2 LCD/EVF Lemo Adapter B
RED Station USB 3.1
RED Mini-Mag 480GB
Camrade Wetsuite RED DSMC2
RED Sidewinder tool
15V Power Supply (RED DSMC1, DSMC2)
Sony MDR V150 Headphones
ARRI MVB-1 Viewfinder Mounting Bracket (K2.0006140)
ARRI Bracket for RED DSMC2 EVF (K2.0012522)
Wooden Camera 15mm Rod Clamp (150200)
Wooden Camera tool-less LCD-EVF adapter (233800)
Lowepro LPP 166 Pouch (Large)
Lowepro LPP 164 Pouch (Small)
